The 2019 Tribeca Film Festival, presented by AT&T, today unveiled its feature film lineup. Continuing its tradition of elevating exceptional storytelling rooted in today’s global film communities, the 18th annual Festival will showcase debut works from emerging talent and new works from notable filmmakers. The program includes discoveries, comedies, music-centered, political and social films. The 2019 Tribeca Film Festival takes place April 24 – May 5.
The Tribeca Film Festival, presented by AT&T, announced today that Oscar-winning director Danny Boyle’s Yesterday, from Universal Pictures and Working Title, will world premiere as the closing night selection of the Festival’s 18th edition. Tribeca also announced this year’s Gala Anniversaries, including a never-before-seen restored version of Francis Ford Coppola’s cinematic masterpiece, Apocalypse Now, and the 30th anniversary and cast reunion of the iconic ‘80s coming-of-age film Say Anything… There will be additional Galas with the world premiere of Between Me and My Mind about Phish lead singer Trey Anastasio, followed by a special musical performance by the Trey Anastasio Band at the Beacon Theatre, as well as Tribeca/ESPN Sports Film Festival opener The Good, The Bad, The Hungry
May 3, 2018 – For Immediate Release: The H Collective, a premier production house in Los Angeles, launches its first-ever, global film competition, if24, today. Anyone with a mobile phone, anywhere in the world, can participate in the competition by entering online at www.if24.com. Along with a team of Hollywood’s leading producers and filmmakers The H Collective will make one winning film into a feature film.
This documentary has become Real News, as filmmaker Morgan Pehme is testifying to serious news outlets about the all-too-relevant relationship that he was privy to while making his film “Get Me Roger Stone.” What Pehme heard and saw while filming that documentary may be shedding light on the shadowy relationship between Trump’s campaign advisor Roger Stone and WikiLeaks founder Julian Assange, helping to connect the dots between Trump, Stone, Assange, Wikileaks, Cambridge Analytica, Paul Manafort and the Kremlin. Is it all a conspiracy theory? Well, it may be, and if it is, it will delight the spotlight-loving Roger Stone all the more.
I am feeling some guilt for kinda dissing Patti Smith in the last essay I wrote – just glibly dashing off a few lines about her Tribeca Film Festival appearance at the premier of Horses: Patti Smith and Her Band, the new documentary about her 40th anniversary performance of her 1975 debut album of the same name, followed by a live concert at the Beacon Theater. I hadn’t planned on writing about that film or event, but it sort of just came out as I typed my introduction to a lengthy film review of a wild, crazy, mind-blowing movie…
Ghostbox Cowboy had me running home, alone and in the dark, scared for reasons I didn’t understand, but definitely totally freaked out, looking over my shoulder for I don’t know who or what. Man, what a relentlessly grim, dark, bleak, terrifyingly phantasmagoric dystopian nightmare of a movie. I tried to shake it off before I went to bed. I couldn’t. I woke up in a wobbly and disoriented state, having dreamt about it, and then sat down at my computer and saw email from the film’s P.R. guy thanking me for attending the screening and asking if would share my thoughts on the film. What the fuck, motherfucker?!