Henry Glassie: Field Work, the latest film by acclaimed director Pat Collins (Song of Granite), recently had its world premiere at the 2019 Toronto International Film Festival. It’s main subject is an American folklorist who has dedicated 50 years of his life to studying folk artists and their work. From sculptors in Brazil, to carpet weaver and ceramicists in Turkey, Collins’ film accompanies Glassie as he visits several countries to explore how each culture manifests its own standards of beauty and meaning through its artisans and craftspeople. I recently sat down with Collins and asked him about his film.
NYFF2019 Director and Selection Committee Chair Kent Jones said, “Cinema is the domain of freedom, and it’s an ongoing struggle to maintain that freedom. It’s getting harder and harder for anyone to make films of real ambition anywhere in this world. Each and every movie in this lineup, big or small, whether it’s made in Italy or Senegal or New York City, is the result of artists behind the camera fighting on multiple fronts to realize a vision and create something new in the world. That includes masters like Martin Scorsese and Pedro Almodóvar and younger filmmakers coming to the festival for the first time like Mati Diop and Angela Schanelec.” The 57th NYFF has announced its Main Slate lineup.
We have a special program to thank for two excellent indie films in the past two years – “Lucky Grandma,” by Asian-American filmmakers Sasie Sealy and Angela Cheng, and “Nigerian Prince,” by young, Nigerian-American filmmaker Faraday Okoro. Both films were winners of AT&T Presents: Untold Stories, which is an alliance between AT&T and the Tribeca Film Institute. Now in its third year, the program awards a $1 million cash prize, mentorship and distribution to under-represented filmmakers with a story to tell. Helen Highly Recommends both “Lucky Grandma” and “Nigerian Prince.” Helen also Highly Contemplates the benefits and drawbacks of corporate sponsorship in filmmaking and in Pride parades.
“Blue Note Records: Beyond the Notes,” a film by Sophie Huber, tosses you straight into a stylish mood poem. It’s medium-raucous to medium-mellow jazz with soft shots of “cool cats” opinionating on a range of topics – improvised jazz-chat. Herbie Hancock, Wayne Shorter, Robert Glasper, Norah Jones, Don Was, and more, these jazz musicians cross an interview-portal to play in dimensions of possibility beyond the dilemmas of yes or no. Consequently, they have a points of view more engaging than your Average Joe
A common criticism often heard in reviewing documentaries is “it’s more of Dateline segment than a movie;” even good investigative journalism does not in itself make a movie. Sometimes “advocacy documentaries” can be forgiven their school-bookishness because the subject is so urgently relevant; their social or political importance overrides their artistic mediocrity. But how do you justify “The Spy Behind Home Plate,” written and directed by Aviva Kempner? This documentary, in theaters now, is more of an answer to a Jeopardy question than it is a movie. Or maybe it’s an entire Jeopardy episode – as chock full of rapid-fire bits of quirky trivia as it is.
It’s Gay Pride month, and we’re coming up to July 4th and Independence Day, so HelenHighly discusses three new documentaries whose hearts beat the drums of freedom, passion and change, and how in each film, art is the catalyst that brings those concepts to life. Helen Highly Recommends “A Night at Switch n’ Play,” “Blue Note Records: Beyond the Notes,” and “Woodstock: Three Days That Defined a Generation.”