Caregiving has become a second, or maybe third, occupation for many Americans. Aging parents, addicted children, depressed family and friends all cry out for some type of emotional assistance. Most news reports concentrate on the afflicted, but in Kent Jones’s first dramatic film, Diane, we feel the anxiety and private turmoil of the caregiver. Diane premiered at Tribeca Film Festival, where it won awards for Best Narrative Feature Film, Best Screenplay, and Best Cinematography.
The Tribeca Film Festival, presented by AT&T, announced today that Oscar-winning director Danny Boyle’s Yesterday, from Universal Pictures and Working Title, will world premiere as the closing night selection of the Festival’s 18th edition. Tribeca also announced this year’s Gala Anniversaries, including a never-before-seen restored version of Francis Ford Coppola’s cinematic masterpiece, Apocalypse Now, and the 30th anniversary and cast reunion of the iconic ‘80s coming-of-age film Say Anything… There will be additional Galas with the world premiere of Between Me and My Mind about Phish lead singer Trey Anastasio, followed by a special musical performance by the Trey Anastasio Band at the Beacon Theatre, as well as Tribeca/ESPN Sports Film Festival opener The Good, The Bad, The Hungry
The Game Changers, directed by Louie Psihoyos, Academy Award winning director of The Cove, and produced by fellow Academy Award winner James Cameron, is screening at the 2018 Hot Docs Festival in Toronto. This 88-minute documentary, written and produced by Joseph Pace, stars James Wilks, an elite special forces trainer and winner of The Ultimate Fighter. Game Changers follow Wilks as he travels across multiple countries and investigates and exposes outdated and dangerous myths about protein, strength and masculinity. I learned that, along with Wilks, James Pace is actually the one who conceived of this film and was with it from the very beginning. In this interview, Joseph Pace tells us about the challenges of making the film, the film’s journey to the doc festival circuit, and the responses from those who have seen it.
This documentary has become Real News, as filmmaker Morgan Pehme is testifying to serious news outlets about the all-too-relevant relationship that he was privy to while making his film “Get Me Roger Stone.” What Pehme heard and saw while filming that documentary may be shedding light on the shadowy relationship between Trump’s campaign advisor Roger Stone and WikiLeaks founder Julian Assange, helping to connect the dots between Trump, Stone, Assange, Wikileaks, Cambridge Analytica, Paul Manafort and the Kremlin. Is it all a conspiracy theory? Well, it may be, and if it is, it will delight the spotlight-loving Roger Stone all the more.
Ghostbox Cowboy had me running home, alone and in the dark, scared for reasons I didn’t understand, but definitely totally freaked out, looking over my shoulder for I don’t know who or what. Man, what a relentlessly grim, dark, bleak, terrifyingly phantasmagoric dystopian nightmare of a movie. I tried to shake it off before I went to bed. I couldn’t. I woke up in a wobbly and disoriented state, having dreamt about it, and then sat down at my computer and saw email from the film’s P.R. guy thanking me for attending the screening and asking if would share my thoughts on the film. What the fuck, motherfucker?!
It’s hard to choose which was worse – the acting or the script or the directing. Sarah Jessica Parker, as Vivienne the lounge singer with a life in which no one truly cares about her, tries way too hard to show us without telling us how distraught she is over her very-bad-news medical diagnosis. I kept thinking, “Please give her a line to say, so she stops desperately gesticulating in order to make us believe she believes she really might die.”