“Blue Note Records: Beyond the Notes,” a film by Sophie Huber, tosses you straight into a stylish mood poem. It’s medium-raucous to medium-mellow jazz with soft shots of “cool cats” opinionating on a range of topics – improvised jazz-chat. Herbie Hancock, Wayne Shorter, Robert Glasper, Norah Jones, Don Was, and more, these jazz musicians cross an interview-portal to play in dimensions of possibility beyond the dilemmas of yes or no. Consequently, they have a points of view more engaging than your Average Joe
A common criticism often heard in reviewing documentaries is “it’s more of Dateline segment than a movie;” even good investigative journalism does not in itself make a movie. Sometimes “advocacy documentaries” can be forgiven their school-bookishness because the subject is so urgently relevant; their social or political importance overrides their artistic mediocrity. But how do you justify “The Spy Behind Home Plate,” written and directed by Aviva Kempner? This documentary, in theaters now, is more of an answer to a Jeopardy question than it is a movie. Or maybe it’s an entire Jeopardy episode – as chock full of rapid-fire bits of quirky trivia as it is.
It’s Gay Pride month, and we’re coming up to July 4th and Independence Day, so HelenHighly discusses three new documentaries whose hearts beat the drums of freedom, passion and change, and how in each film, art is the catalyst that brings those concepts to life. Helen Highly Recommends “A Night at Switch n’ Play,” “Blue Note Records: Beyond the Notes,” and “Woodstock: Three Days That Defined a Generation.”
“17 Blocks,” a documentary by Davy Rothbart, was included in my initial Tribeca Film Festival 2019 pick-list because of the compelling and devastating use of a home-video archive. The film was created due to a chance meeting, in 1999, of two kids at a Washington D.C. public basketball court and director-producer Davy Rothbart. Fifteen-year-old Smurf Sanford and his nine-year-old brother Emmanuel lived in the neighborhood, which is only 17 blocks from the White House but is a dangerous and decrepit part of the city that outsiders typically go to great lengths to avoid. When Emmanuel expressed interest in becoming a filmmaker, Rothbart lent him a video camera.
Walking on Water, directed by Andrey Paounov, is a new documentary about the latest exhibit / production by Christo, the renowned installation artist who transforms environments into experiential artwork, on an epic scale. The film had its world premiere at the Toronto International Film Festival, was acquired by Kino Lorber and is getting a theatrical run in the U.S. this spring (beginning this weekend at Film Forum in NYC). Helen Highly Recommends you see it – in a theater, ideally, on as large a screen as possible.
Netflix surprised Quentin Tarantino fans when it announced in March that an extended version of the director’s 2015 wild-west-thriller-mystery-horror flick, The Hateful Eight would be available for streaming. The movie is now available on Netflix as planned, although with an even bigger surprise: The movie has been uploaded as a miniseries with four episodes, each running approximately 50 minutes. The film’s theatrical edition continues to stream on Netflix as a feature film, as well