Walking on Water, directed by Andrey Paounov, is a new documentary about the latest exhibit / production by Christo, the renowned installation artist who transforms environments into experiential artwork, on an epic scale. The film had its world premiere at the Toronto International Film Festival, was acquired by Kino Lorber and is getting a theatrical run in the U.S. this spring (beginning this weekend at Film Forum in NYC). Helen Highly Recommends you see it – in a theater, ideally, on as large a screen as possible.
Netflix surprised Quentin Tarantino fans when it announced in March that an extended version of the director’s 2015 wild-west-thriller-mystery-horror flick, The Hateful Eight would be available for streaming. The movie is now available on Netflix as planned, although with an even bigger surprise: The movie has been uploaded as a miniseries with four episodes, each running approximately 50 minutes. The film’s theatrical edition continues to stream on Netflix as a feature film, as well
Existential Horror in the Wild West: I will follow Quentin Tarantino’s lead, and like this movie, The Hateful Eight, I will allow this review to be indulgently long. And like Tarantino, I will break it into chapters, using titled headers.
It happened again: Entirely randomly and coincidentally, I saw two different narrative presentations (this time a film and a live play) just days apart, and despite their having no real connection, they merged in my brain to produce one review. The various parallels in the two films, including matching themes and potential relevance to right-now America, were difficult to ignore and not compare, so I did – compare and contrast.
Caregiving has become a second, or maybe third, occupation for many Americans. Aging parents, addicted children, depressed family and friends all cry out for some type of emotional assistance. Most news reports concentrate on the afflicted, but in Kent Jones’s first dramatic film, Diane, we feel the anxiety and private turmoil of the caregiver. Diane premiered at Tribeca Film Festival, where it won awards for Best Narrative Feature Film, Best Screenplay, and Best Cinematography.
A multicultural gathering on a fictional Greek isle sets the stage for ‘Bourek,’ the new ensemble comedy from Vladan Nikolic (Zenith, Allure). Awash with eclectic characters, delicious food, and scenery to spare ‘Bourek’ and the island of Khronos, somewhere between Asia, North Africa, and Europe, find highlight in their beauty, natural, edible, and cinematic. Presented…