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“Coppers” Review and Interview with Director Alan Zweig

Toronto filmmaker Alan Zweig’s latest documentary, Coppers, is a disturbing, sad and very moving look at the long term effects of working as a police officer. It recently premiered at the Toronto International Film Festival, and I was able to speak with the director about the film. “I drove a cab for 18 years and I hated cops,” Zweig told me over the phone while doing press at TIFF. “I always saw them as bullies. But when I met Gary I saw a tough guy who had been through a lot.”

“Henry Glassie: Field Work” Interview w/ Director Pat Collins

Henry Glassie: Field Work, the latest film by acclaimed director Pat Collins (Song of Granite), recently had its world premiere at the 2019 Toronto International Film Festival. It’s main subject is an American folklorist who has dedicated 50 years of his life to studying folk artists and their work. From sculptors in Brazil, to carpet weaver and ceramicists in Turkey, Collins’ film accompanies Glassie as he visits several countries to explore how each culture manifests its own standards of beauty and meaning through its artisans and craftspeople. I recently sat down with Collins and asked him about his film.

57th New York Film Festival Main Slate Announced

NYFF2019 Director and Selection Committee Chair Kent Jones said, “Cinema is the domain of freedom, and it’s an ongoing struggle to maintain that freedom. It’s getting harder and harder for anyone to make films of real ambition anywhere in this world. Each and every movie in this lineup, big or small, whether it’s made in Italy or Senegal or New York City, is the result of artists behind the camera fighting on multiple fronts to realize a vision and create something new in the world. That includes masters like Martin Scorsese and Pedro Almodóvar and younger filmmakers coming to the festival for the first time like Mati Diop and Angela Schanelec.” The 57th NYFF has announced its Main Slate lineup.

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Tribeca Film Festival

Tribeca Film Festival 2019 Curtain Raiser: What to See / Part 2

Following up on my previous What-to-See article, which focused on Archival Movies at Tribeca Film Festival, I am listing a few more Top Picks that I could not exclude. Here are some films that grabbed my attention during the pre-festival screenings, and which you cannot fail in seeing. I am recommending two Magic Realism films that are beautiful and dramatic, and two Activism films that are urgently important. Plus, one of the several Music Documentaries that I haven’t seen but is sure to be a winner.

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NEWS

57th New York Film Festival Main Slate Announced

NYFF2019 Director and Selection Committee Chair Kent Jones said, “Cinema is the domain of freedom, and it’s an ongoing struggle to maintain that freedom. It’s getting harder and harder for anyone to make films of real ambition anywhere in this world. Each and every movie in this lineup, big or small, whether it’s made in Italy or Senegal or New York City, is the result of artists behind the camera fighting on multiple fronts to realize a vision and create something new in the world. That includes masters like Martin Scorsese and Pedro Almodóvar and younger filmmakers coming to the festival for the first time like Mati Diop and Angela Schanelec.” The 57th NYFF has announced its Main Slate lineup.

Support Documentary For Women By Women

For the past few years a silent sexual revolution has been taking place. More than half of American women use a vibrator. Research suggests that women may be even less suitable for monogamy than men. For years women have been sexually objectified in magazines, on TV and daily life. But what happens when the roles

10_Things_Youre_Screenplay_Gets_Wrong

10 Things You’re Doing Wrong In Your Screenplay

You have spent tens of hours (and probably hundreds of dollars on ridiculously expensive coffee) over your computer, typing like a maniac, trying to convince yourself this is the time you are going to have your breakthrough: this script will make it to a director’s hands and this time next year you will be walking

57th New York Film Festival Main Slate Announced

NYFF2019 Director and Selection Committee Chair Kent Jones said, “Cinema is the domain of freedom, and it’s an ongoing struggle to maintain that freedom. It’s getting harder and harder for anyone to make films of real ambition anywhere in this world. Each and every movie in this lineup, big or small, whether it’s made in Italy or Senegal or New York City, is the result of artists behind the camera fighting on multiple fronts to realize a vision and create something new in the world. That includes masters like Martin Scorsese and Pedro Almodóvar and younger filmmakers coming to the festival for the first time like Mati Diop and Angela Schanelec.” The 57th NYFF has announced its Main Slate lineup.

Tarantino’s Hateful Eight, Extended Version, is Now a Netflix Miniseries

Netflix surprised Quentin Tarantino fans when it announced in March that an extended version of the director’s 2015 wild-west-thriller-mystery-horror flick, The Hateful Eight would be available for streaming. The movie is now available on Netflix as planned, although with an even bigger surprise: The movie has been uploaded as a miniseries with four episodes, each running approximately 50 minutes. The film’s theatrical edition continues to stream on Netflix as a feature film, as well

Bill Maher Lysistrata Helen Highly

Helen Highly Vindicated: Alyssa Milano and Bill Maher Reference Lysistrata, Classical Dramatic Literature

Helen Highly Vindicated. In the last two days I’ve heard at least two pop-culture references to an ancient play by Aristophanes. As someone who can’t seem to stop writing commentary about popular culture by comparing it to classic theater, it is refreshing to hear someone else finally do it – two people no less! Alyssa Milano and Bill Maher, thank you very much for making me feel less out of touch with the world.

HP Power Up Festival: Visual Effects in ‘Guardians of the Galaxy’

Everything about Manhattan’s Milk Studios, from its clean, curving white walls and pillars, to its expansive plate-glass windows that leave the space bathed in light, breathes sleekness and smooth, cutting-edge professionalism. So Kyle McCulloch, standing on a polished wooden stage flanked on either side by two enormous flat-screen TVs, found himself in the perfect place

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