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Dispatches From Sundance Film Festival 2020: Part 3

Dispatches From Sundance Film Festival 2020: Part 3

Indiewood/Hollywoodn’t film critic Jake Kring-Schreifels has been keeping a regular diary over the course of the 2020 Sundance Film Festival. In his third and final dispatch, Jake shares a range of musings along with seven film reviews. This article offers Jake’s take-away impressions of the festival in Park City, from streaming to shrieking. Jake begins his pondering with a report on The Last Thing He Wanted and Wendy, two Netflix made-for-streaming flicks. Then his experience is buoyed by Minari — an unexpected gem and evidence that festival surprises still exist. As he discusses Horse Girl and Lost Girls, Jake contemplates the importance of actors.. Finishing his week with Us Kids and The Night House, Jake is reminded that despite so many of these films’ online destinations, festivals still offer the thrill of a shared audience experience, sitting in the dark with strangers in a big theater.

Dispatches From Sundance Film Festival 2020: Part 2

Indiewood/Hollywoodn’t film critic Jake Kring-Schreifels is keeping a regular diary over the course of a week at the 2020 Sundance Film Festival, and this is his second dispatch. Jake’s giving our IndieNYC website a Sundance first-look, writing about the movies he’s seeing, his observations around Park City and the excitement surrounding another year of new independent cinema. Today’s report includes: Never Rarely Sometimes Always, Eliza Hittman’s new drama; Worth, a Michael Keaton-led legal procedural; Dream Horse, an uplifting racehorse saga; and Promising Young Woman, a feminist revenge thriller starring Carrie Mulligan. See which film Jake calls “the best thing I’ve seen at the festival.” (And look for some movie trailers at the end of this article.)

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