Tag Archives: Tribeca 2017

“Get Me Roger Stone” Film Review: Get Your Hate On!

“Get Me Roger Stone” Film Review: Get Your Hate On!

Hey, all you angry progressive liberals, this is your film – to engage your rage. Hey, all you angry lovers of noble and decent democracy, this is your film – to reinforce your sense of injustice. Hey all you morally conscious idealists who imagine a level political field and fair play, get ready to get your hate on! And ALSO all you Republicans, and Libertarians, and you stubborn Trump-defenders: this film is full of quotable, self-satisfying defenses sure to infuriate your naïve, liberal friends who love to hate on you. There is something for every political animal in this movie. And animal may be the key word in that sentence.

Tribeca 2017 Reviews: What to See and Skip: Helen Highly Brief

I am working on some of my typically long, in-depth essays about several of the films that are being screened at Tribeca Film Festival 2017, but I thought I’d try to post a short and sweet overview/glimpse that might be of use to people in New York who may actually be choosing which films to see. At the least, here’s a brief taste of my mini reviews of several of this year’s flicks:

2017-tribeca-profile-november

2017 Tribeca Filmmaker Profile: Rainer Sarnet (November)

Based on Andrus Kivirähk’s novel Rehepapp, ‘November’ tells the story of a pagan Estonian village where werewolves, the plague, and spirits roam. Director Rainer Sarnet elevates his film above mere period drama, sprinkling the fable of peasant girl Liina’s doomed romance with Hans with generous amounts of humor, and enriching its earthy fairytale milieu with

tribeca-2017-clive-davis

Tribeca 2017 To World Premiere Clive Davis Documentary At Radio City

Documentary Clive Davis: The Soundtrack of Our Lives is set to open the 2017 Tribeca Film Festival. Based on Davis’ 2013 bestselling autobiography, the film chronicles the historic influence of “The Man with the Golden Ears,” in a compelling and riveting journey. The film examines how Davis rocketed to the top of the bare-knuckles music industry, repeatedly

Top