LATEST articles

“Blue Note Records: Beyond the Notes” Documentary Review

“Blue Note Records: Beyond the Notes,” a film by Sophie Huber, tosses you straight into a stylish mood poem. It’s medium-raucous to medium-mellow jazz with soft shots of “cool cats” opinionating on a range of topics – improvised jazz-chat. Herbie Hancock, Wayne Shorter, Robert Glasper, Norah Jones, Don Was, and more, these jazz musicians cross an interview-portal to play in dimensions of possibility beyond the dilemmas of yes or no. Consequently, they have a points of view more engaging than your Average Joe

Review: “The Spy Behind Home Plate” by Aviva Kempner

A common criticism often heard in reviewing documentaries is “it’s more of Dateline segment than a movie;” even good investigative journalism does not in itself make a movie. Sometimes “advocacy documentaries” can be forgiven their school-bookishness because the subject is so urgently relevant; their social or political importance overrides their artistic mediocrity. But how do you justify “The Spy Behind Home Plate,” written and directed by Aviva Kempner? This documentary, in theaters now, is more of an answer to a Jeopardy question than it is a movie. Or maybe it’s an entire Jeopardy episode – as chock full of rapid-fire bits of quirky trivia as it is.

Freedom Films: “A Night at Switch n’ Play” “Blue Note Records: Beyond the Notes” and “Woodstock: Three Days That Defined a Generation”

It’s Gay Pride month, and we’re coming up to July 4th and Independence Day, so HelenHighly discusses three new documentaries whose hearts beat the drums of freedom, passion and change, and how in each film, art is the catalyst that brings those concepts to life. Helen Highly Recommends “A Night at Switch n’ Play,” “Blue Note Records: Beyond the Notes,” and “Woodstock: Three Days That Defined a Generation.”

17 Blocks, documentary

“17 Blocks” Documentary Review

“17 Blocks,” a documentary by Davy Rothbart, was included in my initial Tribeca Film Festival 2019 pick-list because of the compelling and devastating use of a home-video archive. The film was created due to a chance meeting, in 1999, of two kids at a Washington D.C. public basketball court and director-producer Davy Rothbart. Fifteen-year-old Smurf Sanford and his nine-year-old brother Emmanuel lived in the neighborhood, which is only 17 blocks from the White House but is a dangerous and decrepit part of the city that outsiders typically go to great lengths to avoid. When Emmanuel expressed interest in becoming a filmmaker, Rothbart lent him a video camera.

On the Inside of a Military Dictatorship

“On the Inside of a Military Dictatorship” Interview w/ Director Karen Stokkendal Poulsen

The world celebrated when Myanmar’s military government transferred power to Nobel Peace Prize recipient Aung San Suu Kyi after her landslide election in 2015. But how is political responsibility passed down in a country whose new democracy is founded on 50 years of dictatorship and entrenched ethnic discrimination? Karen Stokkendal Poulsen’s new film, On the Inside of a Military Dictatorship, shows the ways in which she has had to contend with an atmosphere of total distrust and collaborate with the same men who kept her under house arrest for a total of 15 years.

Top