We have a special program to thank for two excellent indie films in the past two years – “Lucky Grandma,” by Asian-American filmmakers Sasie Sealy and Angela Cheng, and “Nigerian Prince,” by young, Nigerian-American filmmaker Faraday Okoro. Both films were winners of AT&T Presents: Untold Stories, which is an alliance between AT&T and the Tribeca Film Institute. Now in its third year, the program awards a $1 million cash prize, mentorship and distribution to under-represented filmmakers with a story to tell. Helen Highly Recommends both “Lucky Grandma” and “Nigerian Prince.” Helen also Highly Contemplates the benefits and drawbacks of corporate sponsorship in filmmaking and in Pride parades.
“Blue Note Records: Beyond the Notes,” a film by Sophie Huber, tosses you straight into a stylish mood poem. It’s medium-raucous to medium-mellow jazz with soft shots of “cool cats” opinionating on a range of topics – improvised jazz-chat. Herbie Hancock, Wayne Shorter, Robert Glasper, Norah Jones, Don Was, and more, these jazz musicians cross an interview-portal to play in dimensions of possibility beyond the dilemmas of yes or no. Consequently, they have a points of view more engaging than your Average Joe
A common criticism often heard in reviewing documentaries is “it’s more of Dateline segment than a movie;” even good investigative journalism does not in itself make a movie. Sometimes “advocacy documentaries” can be forgiven their school-bookishness because the subject is so urgently relevant; their social or political importance overrides their artistic mediocrity. But how do you justify “The Spy Behind Home Plate,” written and directed by Aviva Kempner? This documentary, in theaters now, is more of an answer to a Jeopardy question than it is a movie. Or maybe it’s an entire Jeopardy episode – as chock full of rapid-fire bits of quirky trivia as it is.
It’s Gay Pride month, and we’re coming up to July 4th and Independence Day, so HelenHighly discusses three new documentaries whose hearts beat the drums of freedom, passion and change, and how in each film, art is the catalyst that brings those concepts to life. Helen Highly Recommends “A Night at Switch n’ Play,” “Blue Note Records: Beyond the Notes,” and “Woodstock: Three Days That Defined a Generation.”
Extra Innings, by new, New York filmmaker Albert Dabah is picking up traction as it won Best Feature at the Manhattan Film Festival last month and has also been chosen as an Official Selection at both the Dumbo Film Festival and the upcoming Jersey Shore Film Festival — June 25th, The Showroom Cinema, Asbury Park, NJ. Also look for the film on June 26th at The Screening Room at Congregation Torat El in Oakhurst, NJ.
“17 Blocks,” a documentary by Davy Rothbart, was included in my initial Tribeca Film Festival 2019 pick-list because of the compelling and devastating use of a home-video archive. The film was created due to a chance meeting, in 1999, of two kids at a Washington D.C. public basketball court and director-producer Davy Rothbart. Fifteen-year-old Smurf Sanford and his nine-year-old brother Emmanuel lived in the neighborhood, which is only 17 blocks from the White House but is a dangerous and decrepit part of the city that outsiders typically go to great lengths to avoid. When Emmanuel expressed interest in becoming a filmmaker, Rothbart lent him a video camera.